I call you, my dear....

[Sinibaldi]

Like a magical
fear, in my heart,
there's always
a footprint that
now disappears in
the light of a pathway,
and there my
desire gives an
attention to some
beautiful birds.

Francesco Sinibaldi

[Sinibaldi]

I love to
walk in the
garden with
a lot of portraits,
recalling a blackbird
and always
describing a little
emotion.

Francesco Sinibaldi

http://www.foreignpolicy.com/resources/forum/viewtopic.php?t=4970

[Sinibaldi]

In the heaven,
near a beautiful
clapping, I
hear a voice:
a spirit appears
in the shade
of a Chapel
and everything
shines on the
side of your
darkness.

Francesco Sinibaldi

http://pub30.bravenet.com/guestbook/2504194210

[Sinibaldi]

In the springtime,
near an hedge
full of intentions,
I see the blackbird
of a youthful
day: over a bridge,
near a delicate
sadness, with
all my heart...... 

Francesco Sinibaldi

[Sinibaldi]

The stranger
arrives with a
present agility,
and so my
desire appears
near a delicate
border, the side
of my life that
discovers a dream.

Francesco Sinibaldi

http://www.dailystar.co.uk/forum/view/1433/Hello-my-dear-/2/

[Sinibaldi]

At pleasure
I describe the
perpetual sound
of a melody,
the cold water
of a golden
fountain and the
song of a
martin, in the
heart of a
delicate thought.

Francesco Sinibaldi

http://www.dailystar.com.lb/forums/ShowPost.aspx?PostID=12712

[Sinibaldi]

Shining lights
and the plan
of a destiny,
when Christmas
arrives: I see
the profile of
a northerly wind
near the sound
of a feast, a
rosy return
and always a
white dream
on a similar sight.

Francesco Sinibaldi

[Sinibaldi]

An alley
brings me in
the sound
of a waterfall,
with a white
water recalling
the purpose
and the flight
of a swallow.

Francesco Sinibaldi sends a regard to redaction.

http://pub41.bravenet.com/guestbook/show.php?usernum=3511503074&cpv=1#bn-service-top

[Sinibaldi]

Only to communicate to redaction my desire to propose the next Intervention here, on this site.

I’ll insert this site as site of call on the site of reference.

Next week.

Thanks. Francesco Sinibaldi

[Sinibaldi]

In occasion of the Olympic Games in China of the last summer, and with reference to what done by Italian athletes in the various sporting disciplines, I have written a series of compositions proposed both on the site of reference and on the African site with the intent to insert some of the typologies that I use when I write a poetry.
The adoption of the construction on the sound has had as a result, since the beginning of my literary activity in 1991, the use of different technical formalities of construction of a composition with the possibility to reach different effects.
The two first compositions proposed, " I chiarori di Vanessa" and " Nel suon del dì festoso ", have to be considered like " semplici descrittive in forma propria ", poetries built on the sound, very fast and with the characteristic of using  fast passages  generally characterized by the necessity of support to the lilt,  that here represents a constitutive element of the whole composition. A remarkable technical element, as it regards the second quoted composition, is given by the tendency, in the final part of the poetry, to free itself by the reduction of the speed conseguent to the use of the punctuation, reaching so a more harmonic and flowing expression ( when I say..." Ancor ridente apparmi..." ).
The third composition " Dorato suon di gioventù " represents the typology of composition that I call " disarmonica doppia bifasica" and here I use two typologies of composition, in the first part a " dantesca/descrittiva " while, in the second part, a " semplice/sentita" in a general structure of the composition in which the first part is faster than the second (an effect also produced by the use of the parameters that allow me to reach a notable speed of the poetry building it on the sound ).
" Tu, campionessa ", a composition written for Vanessa Ferrari and expressly dedicated to her, in another composition " disarmonica " with the use of the "experimentation" in the initial part ( an enough slow beginning ) and with a progressive increase of the speed in the development of the poetry.
The final part of this poetry is  by me preferred and here I have tried to give an emotional formulation with a direct approach ( ..." e tu, campionessa....).
After having written another composition built on the sound, " Nel suon della nascente quiete " ( a typical " sonetto in sperimentazione con l'utilizzo di termini duri " with the attempt of overcoming the conditioning determined by the lilt ) I arrive to the last poetry " Mattino di primavera " a poetry in which I don't apply the construction on the sound building instead the poetry on the meaning. In this case the used approach is completely different and in fact here I don't progressively build the composition on the sound but , having in my mind a precise image related to a specific subject, simply I describe what I see and that appears me, contextually using some technical expedients straining to a reduction and a control of the speed.
To conclude this new Intervention I'de like to tell something about the proposition of the entitled song  " Oh You pretty things "
by David Bowie like song of January.
This is one of my preferred singers and the thing that has always impressed me about  his artistic production has been the presence of a notable emotional tension in all his songs, a tension that becomes creativeness, with the idea of a perpetual tendency to the innovation and to the search of new sounds and effects.
And I think that this tension can be found in all the creative periods of this author, by the psychedelic folk to glam rock of the first years passing to the Trilogy and to the new search of  The Berlin Era arriving so to the Electronic music and to the recent times.

Intervento su Afrik - Ciad 19/01/2009

Francesco Sinibaldi

[Sinibaldi]

When a candle
appears in the
light of a
fine day, I listen
to you, my
delicate rosette;
your tender
behaviour presents
an intention, and
the sound of a
season returns in
my heart....

Francesco Sinibaldi

[Sinibaldi]

Here, in
an highest season
full of my care,
I'd like to discover
the sound of
a tin, and perhaps
my desire could
arrive in the
springtime.

Francesco Sinibaldi

[Sinibaldi]

An inner
serenity tries
to forget the
sparkling intention
of a beautiful
noise, with
a light in your
heart and a
youthful day
of a loving
behaviour....

Francesco Sinibaldi

http://neighbors.denverpost.com/viewtopic.php?f=20&t=123004795&p=659809#p659809
 

[Sinibaldi]

Under the
sun of a cold
winter the
greatest emotion
becomes a
noble seaside,
with the
care of my
life near a
delicate mirth.

Francesco Sinibaldi

http://pub41.bravenet.com/guestbook/show.php?usernum=3511503074&cpv=1#bn-service-top

[Sinibaldi]

Once upon
a time there
was a children
and a loving
desire with a
luminous voice;
but now my
romance appears
in your mind
like a sensible
care.....

Francesco Sinibaldi